“Cinema
is a matter of what’s in the frame and what’s out”
What’s
in the frame?
Wadjda,
is a film about a girl born with a rebellious soul, raised in a
submissive society. Wadjda a girl of eleven, living with her mother
and abandoned by her father. The reason as to why her father left the
family, is a reason every Saudi women fears, Wadjda’s mother was
unable to bear him a son.
The
movie breaks a lot of barriers, it was written and directed by a
female director Haifaa al-Mansour, the first feature film to be
entirely shot in Saudi. The movie stands out for its simple theme but
it also underlines the grave stigma that the Saudi society has
against women. It gives us a peek into the mystic, that is life
inside Saudi Arabia.
The
path to discovering this movie was through a novel of the same name.
The cover page of the book illustrates a veiled young girl covered
from tip to bottom, standing as high as she possibly can leaning
against her most precious possession, her green bicycle. The feminist
reader that I am was curious to know the story of this unlikely pair.
It is fair to say that the director went through every nook and
cranny of the book, and she has captured the raw emotion that comes
with being vulnerable and getting ignored at every arena of life.
What’s
out of the frame?
Saudi
is a nation notorious for its harsh sharia law particularly against
women. The Saudi monarch has only recently given woman the right to
vote and to contest in elections. According to Shia law the blood
money of a female is half the blood money of a male.
Change
is still a taboo in Saudi Arabia, but a few women like Haifaa
al-Mansour is making a stand against it. In a recent interview she
revealed the struggle it took to film this movie, as she was forced
to film it inside a van.
This
incredible movie has opened a door for the women of Saudi Arabia, the
ambitious women that are brimming with ideas, the women that have
been oppressed for generations.
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